Abidjan Aubade

A green line drawing of the Christ the Redeemer statue on Corcovado Mountain in Rio de Janeiro, with the words 'Sugarloaf Mountain' and 'Cathedral St. Paul' written near the respective landmarks.

Roadside,

doleful icons

glisten, listening

in the penumbra

of green

tarpaulins

 

A Madonna beseeches,

swaddled in blue,

eight pale replicas

at her feet, bleached

folds of taffeta flecked

with soot

 

Men crouch

on a strip

of cracked tarmac,

palms touching mat,

as bats slouch

toward the city

in the close-mouthed

dawn

 

The cathedral looms,

entreats the lagoon

with a quaver

of prayers,

its concrete regalia

made radiant

by morning 

 

In silken pews,

women fan faces,

bright as July,

as their lips

lips assail psalms

an octave below

a siren’s wail,

each syllable

swabbing

the stained glass

clean

 

Waking rituals

array the day

with elaborate intention    

until the unshackled sun

makes a wreck of them

and they melt 

into morning’s bright

                            unrest